Issue #112

OVERSEEN & OVERHEARD

DIY MAMA…Remember we told you about actress Terri J. Vaughn’s (Dirty Laundry, Daddy’s Little Girls, “The Steve Harvey Show”)  new project (Issue #107 http://thealistmagzine.blogspot.com/2008/05/107.html). No. Not her newborn baby, but her new documentary, which she wrote and produced about appropriately enough the struggles of Black actresses in Hollywood?  Well in between diaper change , Vaughn shot us an email with an update. “It has been difficult securing national distribution. We are still in talks with several companies. We’ve yet to sign a deal. Documentaries are difficult to distribute (so we’ve been told),” says the undeterred Vaughn, who says the doc was financed through personal funds. “This documentary was important because many people outside of Hollywood think ‘we’ actors and actresses have it made. We are fortunate to do what we love, however we have trials and tribulations like in any other profession. I felt it was important to let our fans see us for who we are as well as discuss some of the issues facing African-American actresses today. They are not creating roles for us. People need to know that in order to demand what they want to see.” Actresses Regina King, Malinda Williams, Tasha Smith and Sheryl Lee Ralph all appear in Angels Can’t Help But Laugh (www.angelscanthelpbutlaugh.com).

UP, UP & AWAY… Seems like The A-List is, as usual, inspirational. Way back in March 2006, The A-List suggested someone make a series featuring the short-lived comic book hero The Black Panther (see “Fish out Of Water?” http://thealistmagzine.blogspot.com/2006_02_26_archive.html). Well, the BET Networks and Marvel Animation are teaming up to produce an animated series based, guess what–The Black Panther. Slated to premiere in the first quarter of 2009, the series will be adapted directly from the first six issues of the Marvel Comic written by BET’s own president, Reginald Hudlin, who has been eager to increase BET’s foray into animation.

THE OTHER O…While a significant portion of Hollywood has been caught up in Obamania, there are certainly political detractors. and some have expressed their dislike via film. The Citizens United is promoting a cinematic venture  called Hype: The Obama Effect, which they claim features untold stories from the earliest beginnings of his political career in Chicago, to his stint as a U.S. Senator, through today.  While we’re sure there won’t be any Oscar nods for this one, it will be interesting to see if the flick picks up a following.

NOT SO NEW…Move over Jon Stewart. Make way Steven Colbert.  David Alan Grier is coming to the world of faux news talk shows. The comedian will helm  “Chocolate News” on Comedy Central. Described as a “Black, tongue-in-cheek version of ‘Dateline,'” the show will not merely feature Grier as a talking head. It will be a sketch comedy series. It debuts in October. Hurray for Grier.

NOT JUST FOR GAMES…This is sure top make Xbox owners happy. Due to a deal with  Netflix Inc., Microsoft Corp.’s Xbox 360 video game console will now be able to stream thousands of movies over the Internet. Under the agreement, Netflix subscribers will be able to stream 10,000 movies and TV shows to Xbox consoles for viewing on television sets, beginning this fall. While users could download movies and shows via their Xbox before, it was never to this magnitude.

HIP HOP HOLLYWOOD

NO REALITY FOR NAS…In bucking the trend to have a reality show just because, rapper Nas and his singer wife, Kelis, have canceled theirs–before airing. The pair filmed just two episodes for the MTV series, but once they took a look they pulled the plug. Nas told reporters that  “It was boring. We were too guarded. We weren’t ready.” At least the viewing public was spared another mindless reality show–hint,  hint Pam Anderson.

NEWS

BLU-RAY FAILS TO MEET SALES EXPECTATIONS

According to new market research, consumers are bypassing  Blu-ray players for the less expensive standard DVD players.  The survey of 1,000 consumers by ABI Research found more than half of the respondents had no plans to purchase a Blu-ray player. When it came to movies in the Blu-ray format, more than half of the respondents said it was “much better” than standard DVD, but another 40% said it was only “somewhat better.” Most were “very satisfied” with the performance of standard DVD players. In another poll, this one conducted online by Harris Interactive, only 9% of non-Blu-ray player owners said they were likely to buy such a player within the next year.

EXECUTIVE MOVES

Mark Whitaker Named NBC News Washington Bureau Chief

Mark Whitaker, currently Senior Vice President at NBC News, has been named chief of the network’s Washington, D.C. bureau, a spot that has remained vacant since Tim Russert died on June 13. As Washington bureau chief, Whitaker will oversee both the network’s political content–“Meet the Press” and NBC News’ entire network election and political coverage–and the day-to-day operations of the Washington bureau.

FEATURE

STATIC FEEDBACK: CNN’S “BLACK IN AMERICA: THE BLACK MAN”

Last week, The A-List embarked on a groundbreaking project–live blogging during the much-hyped conclusion to the CNN special series, “Black In America.” We focused on the final installment, “The Black Man,” and asked a panel of Hollywood insiders to blog their opinions of the show as it aired. On the panel were Jeff Clanagan, CEO/President, CODE BLACK ENTERPRISES; filmmaker Kevin Willmott; Major Independents Prods.’s general manager Keith “KB” Brown; actor Black Thomas; and screenwriter Marlon Campbell. (To view their comments in full, visit http://thealistmagazine.wordpress.com/2008/07/24/live-blog-special-issue/)

With the series, CNN experienced a ratings windfall. In fact, the two-hour “The Black Man”  averaged 2.6 million viewers between 9 p.m. and 11 p.m., with an average of 1.2 million viewers ages 25-54 and 1.2 million viewers ages 18-49. It made CNN tops in the ratings for that timeslot. But while many people obviously tuned in, not all liked what they saw. Black Enterprise Magazine founder for one was not too pleased with the tone of the show. Earl Graves was among the many who found the show much to negative and failed to present a balance portrayal of the Black male.

Our own panel, was eager to give the show time to lay out its agenda. “I’m interested in seeing the progression with the show, said Campbell at the start of the program. By the middle of the show, Campbell noted a pattern that didn’t sit well with him: “Unfortunately the show is extremely heavy on the negative side. Being Black in America isn’t just this ONE BIG BAD EXPERIENCE! I believe it’s completely irresponsible… I believe that too much of anything isn’t good. It’s one dimensional therefore inaccurate. Do we have these challenges…YES, are we hopeless victims absolutely NO.”

Other panel members thought CNN’s lack of Black producers on the project might have caused the imbalance and lack of depth.  Said Clanagan, ‘The piece is a little sanitized and they keep going back to Dr. King and his philosophy but what about Malcolm, Huey etc…. and the governments role in bringing these organizations down which effects today’s generation…I think race and perspective play more of a factor.”

For Brown, the lack of honest discussion for Hip Hop and the role the genre plays in the lives of Black men–from imaging to business to stereotypes as disappointing lacking. “[I] wished they would have said a bit more about Hip Hop music.  Doing rap videos constantly, it’s something I struggle with….the images that are put out there,” he offered.

But he concluded, “Overall I don’t feel like the piece gave an insight into Black men in the way I thought it would.  It seemed to be more about issues, but with no answers…versus the mind frame of what it feels like to be “Black In America”…which is what I was expecting.  The fact that this aired and is getting so much attention is amazing though.” Clanagan agreed, noting that while CNN may not have done as thorough a job as viewers hoped, that it may possibly open the door to similar programming. He said, ” Let’s hope the ratings are good and potential other outlets like Fox are open to more serious black programming.”

If the result is increasing programming focusing on the reality of being Black in America, then The A-List would call on broadcast outlets to include Black producers as well as experts who have a clue about the community as well as Urban youth.

LIVE PERFORMANCE REVIEW

The Color Purple on Stage

The Color Purple will have national audiences laughing, crying, shouting, and singing Amen – all at once!  What illuminates the spirited U.S. touring company is its fluid, consistent movement; never compromising the vivid storytelling and imagery that fans of the Alice Walker-penned novel and Steven Spielberg-produced film have always cherished.  Songstress Jeannette Bayerdelle’s voice (Celie) is full of grit and grace.  Yet, it is the innocence, charm, and strength she conveys that will embrace you.  Atlanta native, Stu James (Mister), has an unforgettable alto, and is every bit the tyrannical, devil-incarnate that audiences love to hate.  However, it his lack of physical brawn that betrays his role as antagonist.

What is sure to thrill you, are the robust, show-stealing performances of Felicia P. Fields (Sofia) and Rufus Bonds, Jr. (Harpo)!  Their scenes are the most memorable of the production.  Be sure to take note of Fields’ signature song, “Hell No!” – it is a crowdpleaser.  The original music, written and produced by composers Brenda Russell, Allee Willis and Stephen Bray, breathes new life into this classic work.  Though the “The Color Purple (reprise)” is the trademark song, it is Angela Robinson’s (Shug Avery) emotionally bare offering, “Too Beautiful for Words,” that will bring every woman to tears.  It poignantly explains Celie’s journey, which is the heart of the original work, and the story of womankind: the resilience of inner beauty and virtue; regardless of the external forces that try to destroy it.  Like The Color Purple, it endures for a lifetime.” –- Raegan Burden for the Robertson Treatment (RTSC)

MOVIE REVIEW

Vicky Christina Barcelona (Directed BY Woody Allen, starring Javier Bardem, Penelope Cruz and Scarlett Johansson)

Look out, Kidz.  Woody Allen has finally decided that diversity makes sense.  Run do not walk to Vicky Christina Barcelona. The A-List had a chance to peep it a VIP screening in the oh so chic private theatre in the lower level of the Bryant Park Hotel while running around New York.  Vicky Christina Barcelona takes off from the word go and never slows down for a second.  Perfectly cast with notables Javier Bardem, Penelope Cruz and Scarlett Johansson, this film is witty, sexy and down right fun.  None of those weird Allen-esque neuroses, thank goodness; these characters are over the top and dare we say Allen even pulls a bit from an Almodovar pace and mad-cap scenarios.  Allen may be back, but only because of the multiculti flava! Rating: The A-List

CONVENTION COVERAGE

NETROOTS NATION CONVENTION, Austin, TX

The 2008 Netroots Nation Bloggers convention, held in Austin, TX, was a microcosm outlook into the Democracy of the future.  Grassroots and already established journalists, bloggers and would-be bloggers migrated Down South to discuss the future of our nation and its policy makers.  This convention channeled national energy and the mantra was loud and clear, strengthen America’s Democracy.

The convention was split into several break-out sessions, which could of easily been mistaken as rallies, while hosting major forums daily.  Although the crowd wasn’t as diverse as it could have been, there still remained a passion to cover all areas of democracy.  In one session, streetprophets.com, the fight for what is the true separation of church and state took place.  Here the people were very warm and ideologically diverse with a wonderful website which helps to converge religion with political and socio-political beliefs.  One of the interesting questions posed was can you have strong religious ties and exist bi-partisan, or are the religious beliefs you have and what party you belong to co-dependant? The objective, divorce these ideals, or not, but respect diversity.  One could not walk away without feeling the need for un-biased, progressive democracy.

As the convention played out, there were several intense and informative rallies through which ideas were tossed around; there was even some strategy being passed down from those more experienced to those just beginning. Armed with small objectives like think in titles, what is the headline of my thought process, helps to aid the newbies, lost in the new world known as the Blogosphere.

At the African American Caucus, hosted by JackAndJillPolitics.com, such topics as the role of minority bloggers and what should be their priorities were explored.  Due to the success of the Black Bloggers for the Jena 6, it was understood that they play a major role in disseminating information within the black community.  One of the tactics discussed for future endeavors was to network with like minds across racial barriers in order to reach an audience that cares.  The flow of the caucus was smooth and exciting.  The floor was open for discussion.  There were even some who felt we can and should do more to help out some of the victims still suffering from the horrors of Katrina.

The convention was even graced with the presence of former Tennessee representative Harold Ford Jr., who spoke on how we are to hold accountable those we choose to support.  However enlightening this experience was to all of the bloggers nothing topped  the’ highly anticipated appearance of U.S. House Speaker Nancy Pelosi and her special guest, former Vice-President Al Gore.  While tension grew about the passing of the heavily controversial FISA bill and the House decision to table the Bush Impeachment, her appearance was exactly what the doctor ordered.  Gore helped to finesse the audience’s un-easiness with his pundit speech on the state of our environment.  Sunday, July 20, 2008 concluded the convention with special guest  and keynote speaker social activist Van Jones and his wonderful call to action on what we can do for the environment.  He called for a World War II mobilization for a healthy environment and renewable energy sources.

There is no doubting the power and passion at the 2008 Netroots convention.  These are the people which disseminate the information needed to change a world.  They add the face to the cause of those unheard, those without major media coverage and those that at one time felt as if their opinion didn’t matter.  If it happened here, within minutes, the world would know.

Many bloggers and freelance writers, both large and small, from across the nation came to downtown Austin with one agenda, how can we strengthen America’s Democracy.  There is no question that at its finish, Americas’ democracy is in reach of the people.  This is the third year this convention has met and each year it’s grown exponentially.  People across the nation will be looking forward to next years tasks.—LeMarcus Henderson

INSIDE THE MMTC CONFERENCE

MMTC’s Sixth Annual Access to Capital and Telecommunications Policy Conference, DC

This year’s MMTC’s Sixth Annual Access to Capital and Telecommunications Policy Conference was wonderfully executed.  A bevy of movers and shakers in the media world attended plenaries, awards presentations and networking sessions in the power hub of Washington, DC this past week as the past, present and future of African-American and Latino media ownership was discussed.

During this conference, the MMTC also unveiled its “Roadmap” for ways in which proper government policy creation and execution can lead to a fair and supportive environment for minority equity in the industry. Of special note was the conference opening where in a rare situation four of the the five FCC Commissioners where on hand to discuss their current track record on minority ownership of media.  The data and statistics cited were incredibly low in some categories and compared to those of the 1950s.  The Commissioners admitted that much work need to be done and called upon more creative ways for solving challenges but that the real strength lay in the will and commitment to create more fairness and balance.  There is still talk of that “Blue Ribbon” committee being brought together to discuss minority needs as well as more civic discussions.  It seems, however, that much is tied to the what the agenda will be of the new administration.

Speaking of which, the MMTC also provided a special audience with surrogates on media for Senators Obama and McCain and their positions on various issues affecting media and minority ownership.  A dynamic discussion by the Honorable Bill Kennard and (not sure of this guy’s name.  Could you see if you can see on line for McCain? will do) was like watching a fierce table tennis match as views flew back and forth on everything from Net Neutrality to the 700 Mhz spectrum sales.

A keynote address by Senator Menendez was very well received.  He spoke of his great support in ensuring the inclusion of diverse voices in media and cited that even though more than 1/3 of the American population is Black and Latino, that only 1 in 12 radio stations and 1 in 33 television stations is owned by a person of color.  He expressed strong views against the Arbitron PPM citing that it is a mechanism that will further undermine the already underserved.  Thus, he will be taking a bill to the Senate floor shortly, which should help to balance the situation, provided that it be passed.

A thought-provoking and powerful conference, the MMTC is an impressive advocacy organization. For more information, to join or make donations please visit: www.mmtconline.org. Congratulations to the staff on such a well executed event!

QUOTE OF THE WEEK

Danny Glover to Agence France-Presse in Paris on why he decided to take funding from Venezuela to finance his epic on Haitian independence hero Toussaint-Louverture.

“[Hollywood] Producers said ‘It’s a nice project, a great project… where are the white heroes?'”

LIVE BLOG SPECIAL ISSUE: CNN’s BLACK IN AMERICA: THE BLACK MAN

The West Coast chat will include JEFF CLANAGAN, KEITH “KB” BROWN, AND BLACK THOMAS

What were your first thoughts when you heard CNN was doing?

Jeff: I was excited that a mainstream network was attempting to take on the task of producing a documentary outline our struggles and accomplishments in America.   Most networks are afraid to properly cover the issue of race.

When we interviewed the exec. producer of the series, Mark Nelson, he said his desire to cover the story of Black men led to the entire series. He stressed that as a White male he wanted to explore the misconceptions the media puts out about Black men. Do you think that people in general, Black, White, men and women are yearning to discuss these issues more than before?

Black: Yes, I think everyday that you get an opportunity to be better understood some one then we can get to a point where you won’t have to be informed because you know I feel it’s an ongoing thing. but as long as people continue to care and get to know those they don’t no matter what the color may be we will achieve that goal.

Jeff: Based on my conversations with people of different races, I don’t think there is an urgency to discuss the issues of Black People in America.  Keep in mind that most affluent white people think that everything is ok.  They don’t believe that black people are treated unfairly.

Do you feel this series will enlighten?

Too many negatives?

Keith:  Yes, they definitely are not painting a pretty picture.

Jeff: Unfortunately there are a lot of negative stuff that affects black people.  A large amount of black people live in poverty, the prison population is disproportionably black, education etc… so you have to deal with the negatives

Are they showing Black men in a hopelessly desperate state>?

Jeff: I think they need to offer solutions, but I think it is too early in the program.  We need to see how they conclude the show.

Keith: I think they’re doing it to bring issues to light that are often times glossed over…especially on outlets such as CNN.  So I appreciate the rawness they’re presenting.  It’s driving the point home for me and I feel it will spark conversation amongst people on how to fix the issues discussed.

Black: you know no matter how bad it is there is a point of choice to me. I feel there are so many situations for every person to feel some what responsible about there paths.

We’re almost an hour in; one of our readers wants to know what you as a producer might have done differently, if anything?

Keith: would pick up the pace a bit.  More statistics would be great and I’d enjoy commentary from more experts along the way.  But so far I’m quite impressed and will be recommending this program to everyone I know!..The spoken word segues are wonderful

They are actually doing a good job.  As a producer you could take many different approaches.  It is very subjective.  I grew up in the bay area and tend to be a more progressive so I probably would have featured used the plight of the Black Panthers as a b story.  I would have focused on Oakland since that is where the movement started

You mentioned the subjective nature of putting something like this together. Do you think CNN should have pulled in key black producers, since all of he exec producers on the series are white. Important, or not really?

Jeff: YES!  VERY IMPORTANT. The piece is a little sanitized and they keep going back to Dr. King and his philosophy but what about Malcolm, Huey etc…. and the governments role in bringing these organizations down which effects today’s generation.

Keith: I agree with Jeff, that is very odd.

Another reader wants to follow-up and ask, could the age of the producers, mostly older men, play a factor?

Jeff: I think race and perspective play more of a factor.

Black: BT:I feel the color or age of the producers is irrelevant…I respect them for bringing this to the attention of the world.  I’m glad somebody is saying something.

CNN  has gone all out in promoting the series, with special screenings, etc. Today, they sent over info on a special booklet they created for parents to discuss with their kids. Thus far, are you finding it impactful?

Jeff: Yes, they are making an effort to reach out to the black community.  You have to commend them for making the effort

Keith: I’m really liking where they are going with it.  They’ve addressed SO many issues and personalities very quickly.  I think it’s very impactful.

WOW, Malcolm shouted out The Cool Kids….an awesome group.   (Just had to add that in).

What do you think of the  experts?

Keith: I mentioned early I would have liked to hear from more ‘experts’ and I’ve decided to take that back. But I think they’ve chosen to focus on the experiences and stories of people instead of expert commentary.  I’ve gotten used to the flow now and actually like where they’re going… wish they would have said a bit more about Hip Hop music.  Doing rap videos constantly, it’s something I struggle with….the images that are put out there.

With just a few minutes left in the segment, what are your overall thoughts?

Keith: I think the music segment is great.  They’ve presented various perspectives for people to form their opinion from.

Jeff: I feel that they did a good job at bringing up and exploring the issues facing black America.  There a lot of topics that could have been more thoroughly fleshed out but I do understand they had to deal with time constraints

They should be commended for making the efforts and the success of the show should create more opportunities with other networks for this type of programming

I know ratings will play a part, but do you see other outlets following suit??

Jeff: It will be purely based on ratings and advertiser interest.  Let’s hope the ratings are good and potential other outlets like fox are open to more serious black programming

Do you think it helped people better understand black men?

Keith: Well, you know I would have liked to see a whole show on the music and video imaging topic LOL But it was a nice overview. I disagree with Russell’s comment about the top ten rap songs of last year expressing the struggle of the Black community. “We Fly High”, “Pop Bottles”, “Wouldn’t Get Far”, “Show Me What You Got”. Those songs are all flash and a$$. There are tons of songs released addressing “issues”, but they are rarely radio or MTV/BET hits.

Overall I don’t feel like the piece gave an insight into Black men in the way I thought it would.  It seemed to be more about issues, but with no answers….versus the mind frame of what it feels like to be “Black In America”…which is what I was expecting.  The fact that this aired and is getting so much attention is amazing though. I think it will spark mass discussion at water coolers tomorrow!.

Jeff: Do you mean white people?  I think it brought to light issues that we face but I don’t think it was enough to help people understand black men.

The East Coast chat will include Kevin Willmott and Marlon Campbell .

First, what are your thoughts about CNN taking on this topic?

Marlon: I thought that is a very appropriate thing to do. Especially considering we are on the brink of the first African American President.

Kevin: I thought it was a good idea.  It is a good time to discuss our problems and issues.

Has anything already stood out in the beginning of the show?

Marlon: Not yet. I appreciate how they have started the program off.
I’m interested in seeing the progression with the show, after the death of Dr. King.

Why did you appreciate the start of the show?

Marlon Because it appears they are going to create a road map, that I can build upon.

Do you feel Black men have gotten a bad rap in the media for the most part?

Marlon: I find the statistic about Black’s in prison staggering however; how fair is the comparison, when Black’s make up only 11% of the population. I believe that without a doubt the Governments practice of “Shock Therapy” creates a one dimensional view of the overall problem.

Kevin: Big time.  I think we fail to discuss the causes of crime.  They appear to be trying to do that tonight.  I think most blacks folks know about the crack issue.  About the sentencing discrimination.  It seems to be more difficult to explain what is in our heads when we make those choices.  I would like to see that discussed more.

When we interviewed the exec. producer of the series, Mark Nelson, he said his desire to cover the story of Black men led to the entire series. He stressed that as a White male he wanted to explore the misconceptions the media puts out about Black men. Do you think that people in general, Black, White, men and women are yearning to discuss this issue more than before?

Marlon: I believe so however; how we discuss this issue is vital. It needs to be open and honest, yet responsible and realistic

Kevin: Yes, people are ready.  I have seen that traveling the country with my film, CSA – Confederate States of America.  Seeing that desire from people, especially whites, it was no surprise that Obama has caught fire.  I like how the show is discussing how difficult it is to find a job and how we struggle with funds.  That is something people don’t understand about black men.  They think it is easier than it is.

Do you feel the media has been slow to cover this, even though there has been a desire by viewers?

Kevin: Yes, but it not all the media’s fault.  They are limited by what sells and what they are comfortable in discussing.  The difficult issues of the history of being black in America is still hard to find.

How are you finding the CNN approach thus far?

Marlon: It’s enlightening on some aspects. What’s interesting is that Blacks today 2008 do not need to rely on any race of people White or Other for a job. We have the second highest buying power in the U.S. despite the low percentage of Black’s in the Country. We need to focus on building within our on communities while at the same time, help to educate the ignorance within White
America.

Do you think a show, series like this will help educate others about Black life, or is it only scratching the surface?

Marlon: No, not if the show does not focus on the things that will encourage this understanding. The Black race in America has problems, like every race in this Country, particularly in White America. The show can’t be bias in view or it will simply identify problems and not solutions. Much of what’s being discussed I can relate to however; I spend much of my time focusing on leading by example in addition to acknowledging the issues facing Black America and the world in general.

Kevin: Let’s wait and see.  I am of course interested in how there are still a section of whites that hold on to the Confederacy as a positive thing and that slavery was not all bad.  I have seen that a great deal from my film.  I think that there are some blacks that feel like this is not important.  I think it is a symbol of the racism and discrimination that still exists.  I think you can’t find equality until you understand our pain.

Sort of along the lines of South Africa‘s truth and reconciliation, which I know many feel we need in America.

As a Black male, is there something you really want them to discuss but have not heard thus far?

Marlon: Yes. I would like for them to demonstrate by example our accomplishments as a Race in addition to what’s being shown..

How so?

Marlon: For example, the discussion about the court system and police is something we should bring awareness to but not from the perspective of NEEDING anyone to do something for us, we can control our on destiny. We were and are a great race of people…history teaches us this.

That issue could be a series of show in itself

Marlon: : Exactly. I would like to see us attack this issue from the bottom up. Position ourselves in a way that will force changes within our judicial system, lead by example “who we are”. We as a species have a natural nect for degrading others in order to uplift ourselves. I believe that racism is the extreme version of this. The White Make has always feared what they don’t understand in addition to a different level of respect towards Family. What I mean is that Black people has always been about unity. We just don’t know how to unify. I mean we unify in large numbers in gangs. All that’s needed is to take that same concept and apply different rules.

Do you think an hour is being overly ambitious to cover all the issues Black men would like to see covered?

Kevin: No, they are spreading it around fairly well.  There is a great deal to cover and people will always argue what to cover.  The facts they are giving are very effective.

Marlon: Unfortunately the show is extremely heavy on the negative side. Being Black in America isn’t just this ONE BIG BAD EXPERIENCE! I believe it’s completely irresponsible. I’ve lived in the number one rated city in Orange County California and with the exception of one incident in 10 years, my experience was great. I’ve traveled all over the U.S., let alone the World and walked with my head up high and refused to be labeled anything other then what I am…A Man!

So you are not finding a well developed picture?
Marlon: No. I never knew my Dad. Oh well, that’s unfortunate for him, to not know me. Additionally, I run TO my responsibility as a Father and find great satisfaction in that. They are many Black fathers like me who are not victims because of our circumstance.

Kevin: There is a lot of negative.  Unfortunately, we have some serious problems.  I think they are also showing positive people, people who have overcome problems.  I think the story about the Dad who didn’t show up to the B-Party was good.  He wasn’t a thug – he was a guy who just didn’t seem to understand his role – the role they need him to fill. I think Marlon is right but I don’t mind holding the positives.  I don’t know if we need to feel good right now.  There is a lot of denial these days.

Marlon: In other words, do we really need someone to spell out our challenges? Those challenges we live every day. The issue is that all these types of shows can offer is what we already know, but it’s still up to us to figure it out. I have therefore; I know other Blacks can.

Not delving deep enough?

Marlon:  No it’s not. The fact is that the issues go a lot further then this show can remotely address. I was hoping that because of the Obama for President accomplishment would open up broader discussion about being Black in America.

A long time ago a Black critic complained that August Wilson exposed “too much” about Black life to White theatergoers in his plays. Do you think that some people feel by even discussing the negatives, it’s “telling” too much? Or is CNN striking a balance?

Kevin: I think we sometime like seeing shows like Cribs and seeing how we are celebrities and succeeding, but we don’t learn much from that.  I think we learn more from telling how we get our act together.  I think they are trying to look at what our problems are and examining what is behind them.

Marlon:  I believe that to much of anything isn’t good. It’s one dimensional therefore inaccurate. Do we have these challenges…YES, are we hopeless victims absolutely NO!

It’s funny, they are addressing the very problem I’m talking about.
It’s called “Shock Therapy”!!!
Spike is exactly RIGHT!!!

Speaking of Spike, what do you think of the selection of interviews?
Marlon: I think they are excellent. I disagree with Phillps. He is completely off base in terms of needing to simply justify you’re cost. Hollywood has a formula for Black film and unless it follows this guideline, you will have trouble. This guideline by the way is completely supported by mainstream media. am excited about my film “Oblivious” because it will be groundbreaking for Black filmmakers.

Kevin: That has been my experience in Hollywood.  I have worked with Spike and seen it up close and personal.  It is about doing the dumbest, most un-important work they can find.  There is plenty of money for that, just as Spike said. Spike couldn’t find the money for a film I wrote that he wanted to make – even with J-Lo and Dave Chapelle attached.  I use that example to tell my student how it works in Hollywood.  Not just for Black folks but really for smart folks.  That is why I make my movies in Kansas about the things they aren’t interested in.

As the show is entering that last few moments, your overall view?

Kevin: I have enjoyed it.  It could go on for hours and only scratch the surface of what it means to be a black man these days.  I think they did a good job with a very difficult array of issues.

Marlon: My perspective of Being Black in America: To be Black in America, especially at this point and time means something extremely special. As a Nation we’ve had to overcome over 200 years of Slavery and Segregation…and we have, yet 200 plus years later we’re on the brink of the Nations first African American President. However, in the process of such an accomplishment, we became divided in certain important areas of our unity process. But like Slavery and Segregation, that to shall change. In the process of this ultimate change, I believe that we need to focus within that infrastructure, on transitioning to a colorless society. Statistically, that is a process that has already started. Inner-racial dating and/or Children has risen expeditiously over the past 10 years, so I believe it’s inevitable. And both White America with its dying belief system of supremacy need to prepare for this change and Black America that may find justice in reverse racism, needs to also prepare. Let me express additionally that this process of preparedness needs to start at the top, in Government, at the same time, with the Citizens of this Nation.

Change can be accomplished simply by DECIDING to make a change. The fact that this has been such a difficult challenge, should automatically make one understand that it our hearts and mind, we need to work on. We need to believe that we can…so we can. Education and experience is the key to achieving this goal. For example; White America have become familiar with Black America through the commercial urban world in music, movies, sports etc however not enough in terms of Doctors, Lawyers, Astronauts like Ronald McNair and Female African American Astronaut Mae Jemison.

Let me go Global for a minute!

Here is what’s sarcastically funny, we as a Nation look at the many, many years of conflict between groups of people like the Palestians and Israelis and I hear one common comment, and that is “how can two groups of people fight so long over the same problems” but look at us. Rather it’s religion, sex or race is still all the same thing…divide! This system of better then/less then is what we all need to start with…and the rest will follow. Propaganda needs to be removed from this process, special interest needs to be removed from this process, and greed needs to be removed from this process!

Hopefully, even just this short show will cause dialogue.

Kevon: Amen

Thanks to all who joined us tonight. Next chat is at 9PM PT.

Bunker Hill, exploring civil liberties in post-9/11 America. It  will open at The Santa Fe Film Center on August 9.  It stars James McDaniel (“NYPD Blue”), Laura Kirk (“Lisa Picard is Famous)” and Saeed Jaffrey (Gandhi).  His next film is The Only Good Indian, starring Wes Studi (Last of the Mohicans), which will be released in 2009.

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THE A-LIST BLOGS LIVE RESPONSES TO CNN’S

“BLACK IN AMERICA: THE BLACK MAN”
FEATURING FEEDBACK FROM HOLLYWOOD NOTABLES

WHO: The premier digital magazine covering a new, diverse Hollywood

WHAT: The A-List teams up with Urban Hollywood notables to gather live response to CNN’s historic series finale: “Black In America: The Black Man.“

WHERE: Turn on CNN, Thursday, July 24, at 9 p.m. (ET/PT).

TO PARTICIPATE, EMAIL THEALISTMAG@GMAIL.COM

WHY: The A-List continues to bring cutting-edge coverage of the issues that matter to multicultural Hollywood. CNN’s “Black In America” has tapped into a much-needed discussion about race in the U.S., and culminates with unprecedented coverage of “Black Men In America.”

The A-List Panelists:

JEFF CLANAGAN
CEO/President, CODE BLACK ENTERPRISES

www.codeblack.com

http://www.codeblacktv.com

A 20-year veteran of the industry, Jeff Clanagan began his career in entertainment as one of the foremost concert promoters in the music business. He promoted national concert tours featuring artists such as Run DMC, LL Cool J, Will Smith, The Fat Boys, and MC Hammer. In 1989 Clanagan moved beyond the sole promotion of Hip Hop artists and added the burgeoning R&B genre of music to his resume. Clanagan later added yet another dimension to his professional dossier by entering the realm of theatrical production and promotion with the hit stage plays The Diary of Black Men and A Good Man is Hard to Find. This was followed by his successful promotion of the popular “HBO Def Comedy Jam” Tour.

Clanagan eventually moved into the world of film and television production as president of No Limit Films, rapper/entrepreneur Master P’s film and video company. Clanagan next  became president of Mandalay Urban Entertainment. During his tenure at Mandalay, he executive-produced three telefilms for BET, while also producing the official Sundance Film Festival selection Civil Brandfor Lions Gate.  Clanagan went on to create and executive-produce the magazine television show “Livin’ Large,” syndicated nationally through Carsey-Werner Distribution.  After leaving UrbanWorks Entertainment in 2005, Clanagan formed Codeblack Enterprises, LLC (CBE) as a multimedia entertainment vehicle in motion pictures, television, home entertainment and new media. Targeting the sophisticated urban generation, CBEproduces and acquires the most compelling content for its niche and will distribute content through various media channels, both on-line and off-line. The channels will include but not be limited to: theatrical exhibition, television exploitation, home video (DVD) and emerging digital platforms.

KEVIN WILLMOTT

FILMMAKER

Professor of Film, University of Kansas

Kevin Willmott grew up in Junction City, Kansas, and received his BA in Drama from Marymount College in Salina, Kansas. After graduation, he returned home and worked as a peace and civil rights activist. He attended graduate studies at New York University, Tisch School of the Arts. His play T-Money and Wolfwas selected as part of the New Vision/New Voices series produced by the Kennedy Centerin DC. As a screenwriter Willmott co-wrote Shields Green and the Gospel Of John Brown with Mitch Brian. The script was purchased by Chris Columbus’ 1492 Productions for 20th Century Fox. He also co-wrote Civilized Tribes for producer Robert Lawrence and 20th Century Fox. Producer/director Oliver Stone hired Willmott to co-write Little Brown Brothers about the Philippine Insurrection. He also adapted the book Marching To Valhalla by Michael Blake for Stone. For television, Willmott co-wrote House of Getty and The 70’s, both mini-series for NBC. The 70’s aired in 2000. Ninth Street, an independent feature film starring Martin Sheen and Isaac Hayes, was written, produced, and co-directed by Willmott. Distributed by Ideal, it was released in 1999 on video and DVD. Most recently Willmott authored Colored Men about the Houston riot of 1917. He also adapted “The Watsons Go to Birmingham” for CBS, Columbia Tri-Star, and Executive Producer Whoopi Goldberg. His film CSA: The Confederate States Of America, is about the United States had the South won the Civil War. Willmott’s latest is

KEITH “KB” BROWN

General Manager

MAJOR INDEPENDENTS

http://www.majorindependents.com/

Keith”KB” Brown got his industry start in music video production at Universal/Motown Records, working with artists such as Nelly, Lindsay Lohan, Brian McKnight, Akon, 3 Doors Down, Lil’ Wayne, India.Arie.  Quickly climbing the ranks, he soon segued to The Walt Disney Studios. There, he worked on soundtrack marketing and music videos to promote films, television shows and DVD releases with an emphasis on urban-oriented material. He worked alongside artists such as Alicia Keys, Missy Elliot, Ciara, Rascal Flatts, Chris Brown , Sean Paul and the Cheetah Girls to achieve record-breaking opening weekends of major films including Step Up, Glory Road, Cars, Stick It, Chicken Little and Herbie: Fully Loaded, along with their accompanying soundtracks.

In 2005, Brown partnered with acclaimed Hip-Hop artist and actor Kirk “Sticky Fingaz” Jones as general manager of Sticky’s production company, Major Independents.  This multi-faceted company produces films, music, clothing, television shows, documentaries and packages Onyx tours both domestically and internationally.  Major Independents’ first innovative project was A Day In The Life. Keith serves as Executive Producer on a new DVD entitled Onyx: 15 Years of Videos, History and Violence, released June  2008 as well as a forthcoming documentary called How To Make A Major Independent Movie. In addition, KB manages Disney Hip Hop artist and “Caught On Tape” star J. McCoy, rap newcomer M Bars, Step Up 2 The Streets star Black Thomas, Stomp The Yard actor/dancer Sean Riggs, singer/songwriter/actress Heidi Marie, Hip-Hop icon/actor Fredro Starr, “Noah’s Arc” star Jason Steed, actress Lindsay Seim, Cash Money rapper Gotti and Infamous/G-Unit Hip Hop recording artist 40 Glocc. Keith is producing a film adaptation of the best-selling novel B-Boy Blues, a dance instructional DVD called “Hollywood Hip Hop” with Black Thomas and choreographer Chuck Maldonado, the television version of Maurice Jamal’s hit movie “The Ski Trip,” a Sticky Fingaz reality show entitled “Sticky Situations” and a viral television series called “The Real McCoy Of Beverly Hills” for Kush TV starring J. McCoy.  On top of all this, KB is also the Head of Music Video Production for Cash Money Records

BLACK THOMAS
Actor, Musician, Dancer, Choreographer, Model, Creator
Alfred “Black” Thomas is a native of Miami, Florida. He earned his BA in Theatre from Florida A&M University and perfected his lifelong love of dance before making his move to Los Angeles. Disney’s Box office blockbuster Step Up 2 The Streets gave Black his breakout turn as bad boy villain “Tuck.” Black has made appearances in other feature films including I Now Pronounce You Chuck & Larry, Stomp The Yard and Dreamgirls. He has been featured in music videos for Rihanna, Danity Kane, Mario, Cheetah Girls, Beyonce,  Fall Out Boy, Natasha Bedingfield and performed live with The Pussycat Dolls, Jessica Simpson, Chris Brown and Fonzworth Bentley.  As an assistant choreographer, Black has lent his talents to television shows such as “That’s So Raven,” “Just Jordan” and “CSI: New York.” In addition, he has been the face of major print/television campaigns for KSwiss, Target and Wal-Mart.Black Thomas will next be seen in RockmondDunbar’s feature film Pastor Brown and The Jump Offas lead character “Randel,” with Cedric The Entertainer and Wayne Brady.

MARLON CAMPBELL

Screenwriter

With nearly two  decades of experience in the music industry, Marlon Campbell  crossed over to the big screen.  Campbell, a native of New Orleans, grew up in the same household as his famous Playwright cousin Tyler Perry and ironically Campbell’s mother is characterized throughout Perry’s plays. Campbell got his start in the music industry back in the late ’80s-early ’90s  along with his trendsetting band Shy Shy & C.R.I.M.E. Later Campbell’s worked behind the scenes under a moniker “M” performing with and consulting for acts such as Richard Marx, Jagged Edge, Timmy T, DJ Hurricane of  The Beastie Boys, and Lauren Lake.  In  2003 Campbell joined his cousin Perry and became Perry’s first film distributor under Campbell’s company Majer FilmWerks. In 2005 after a brief stint on a European tour with Grammy Award Winning Whitney Houston; Campbell began writing his latest film Oblivious. The project was placed on hold while Campbell took on the role of president/CEO of 404 Gaming, a MMOG (Multi-Player OnlineGame) company that he shared with other influential names in the biz such as DJ Pooh, DJ Hurricane, AD Rock, and Flava Flav.  In the summer of 2008 Campbell’s film Obliviouswill go into production with a release date slated for summer 2009. Campbell has also partnered with business executive Akbar Cojoe to executive produce a new reality show titled “Blaque In The House,” which will feature R&B aritist T-Boz from the  group TLC, along with platinum-selling trio Blaque.

Issue #111

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OVERSEEN & OVERHEARD

WHAT’S GOOD FOR THE GOOSE?…BET is feeling the heat again. Not long ago there was backlash from advertisers and viewers over the network’s new lineup of shows, including “Hot Ghetto Mess.” Now, there is more grumbling about BET content. So much so, two major advertisers–GM, Procter & Gamble–have pulled the plug over “questionable” material on “Rap City” and “106 & Park.” Not to defend gratuitous sexist music videos, but haven’t these programs been on for years and obviously offer an array of images. Ever since the Don Imus “Nappy” remark, advertisers have become super sensitive to what shows they sponsor. But isn’t it ironic that a racist remark made by a Caucasian shock jock is now even affecting one of the few Black-focused networks we have.

ARE WE BEING COUNTED?…The FCC Advisory Committee on Diversity for Communications in the Digital Age is investigating whether Arbitron‘s new PPM audience measurement system is having or will have a detrimental and discriminatory effect upon stations targeting minority audiences. And they want answers by August 15–in time for the rollout of the Portable People Meter, an advanced audience measurement system that tracks what consumers watch on broadcast television, cable and satellite TV in September to new markets. Why important? It all boils down to money. According to the committee the impact of the PPM on revenues and asset values of minority stations “may be substantial enough to wipe out all of the gains anticipated to flow from the 12 new ownership-diversity policies adopted by the commission in December 2007” and could even “constitute the greatest economic loss to minority broadcasters in history.” It’s about time they figure out how to count non-white viewers, especially as the browning of America grows every day. Diversity in programming will only boost the industry’s bottom line.

SISTA SITE…If you’re a Black woman and find the online social networks too young and well, too male, fret no more. Black Women Connect (BWC) has launched. Similar to Facebook and LinkedIn; the site offers the news, blogs, and events but with appeal to Black professional women, ages 18 and above. It also allows users to add their own content to create and manage public and private groups. On the job networking tip, BWC (www.blackwomenconnect.com/) also features job opportunities from companies that are hiring as well as resources for the many African-American female entrepreneurs in the marketplace. Hurray for another Black-owned Web entry.

MR. NO SHOW…You know it doesn’t bode well when the star of a move doesn’t even show up for his own premiere. Eddie Murphy opted out of the screening of his new sci-fi comedy Meet Dave in L.A. His camp says he was busy working on another flick. But every industry insiders knows most actors get a day off to make a premiere. At least co-star Gabrielle Union did the red carpet.

REALITY, JACKSON STYLE…Although her tour may be hitting the skids sooner than expected, recording artist/actress Janet Jackson appears to moving full blast with her MTV reality talent show. We hear Pamela Fraizer of Eyeboogie, Incorporated has been busy casting star-wannabees of all ethnicities (ages 16-22) who are triple threats–sing, dance, act– so that Ms. Jackson to find the next entertainment superstar. But get this, Janet’s not the only Jackson with a TV show on the horizon. Her father, Joe Jackson, according to his press peeps, is shopping his own reality program. The untitled project, produced by filmmaker Mark Brown (executive producer of BET’s “Baldwin Hills”) and his production company XONGER (Barbershop, Barbershop 2, Two Can Play That Game), will chronicle how he reunites his sons as The Jackson 5. And says his spokesperson, it will capture his hunt for new artists for Chi-Coast Entertainment with his partner Rick Neville, as well as document the launch of his clothing line Hayvenhurst with his right-hand man Eddie Earl. The question: Can the viewing public sustain a double dose of Jackson-style reality simultaneously? Given that the elder Jackson’s show is not from the same cookie cutter as Janet’s pseudo “American Idol” project, he just might have a hit.

CAN’T LOOK AWAY…We just can’t get enough of TV. According to the first in a series of new “three-screen” reports by the Nielsen Company, although viewers are shifting to more video-centric watching via the Internet, we’re still more tuned in to traditional television than ever before. In fact, the average American spent 127 hours of time with TV in May, up from 121 hours from a year ago; and 26 hours on the Internet, up from 24 hours in 2007. More than 282 million people watch television in a given month and nearly 162 million use the Internet. With all this demand, it should be only a matter of time we see more opportunities open up for diverse programming.

PIMP ALERT…We know in Hollywood projects can take years to see the light; and it seems like we’ve been hearing about this Albert and Allen Hughes project since who knows when. But their follow-up to the 1999 documentary American Pimp, “Gentlemen of Leisure” will now, finally air on HBO in 2009. Unlike its predecessor, “Gentlemen” will be a dramatic series exploring prostitution through the eyes of a 35-year-old pimp in Oakland, Calif. While pimps might always be intriguing, we get the feeling that this one would have been a hit from sheer buzz alone years ago, but we’ll have to wait and see what the public taste is these days. Here’s hoping it launches a comeback for the brothers.

EXECUTIVE MOVES

ROSE CATHERINE PINKNEY EXITS TV ONE

TV One Monday announced the resignation of its vice president of programming and production Rose Catherine Pinkney who spent the past two-and-a-half years overseeing the African-American targeted network’s programming fortunes. Pinkney joined TV One in January 2006 and spearheaded the network’s move into original entertainment programming, bringing to the network such shows as “Bill Bellamy’s Who’s Got Jokes?,” “Baisden After Dark” and “David E. Talbert Presents Stageblack.” Prior to joining TV One, Pinkney was senior vice president of comedy development at Paramount Network Television.

OMAR WASOW & DONNA BYRD JOIN TheRoot.com

The online African-American destination TheRoot has announced that Omar Wasow will be the site’s Product Strategist, joining recently named Publisher Donna Byrd. Byrd is former CEO of BlackAmericaWeb.com, one of the first African-American news and lifestyle websites. She developed marketing and sales strategy for The Coca-Cola Company and Procter and Gamble before co-founding Kickoff Marketing, a strategic planning and brand firm. Wasow co-founded BlackPlanet, the largest social networking site for African Americans.

HIP HOP HOLLYWOOD

CALLING ALL CARS…”Raptor” Xzibit is teaming up with actors Val Kilmer, Nicolas Cage and Eva Mendez in Werner Herzog‘s cop drama Bad Lieutenant: Port of Call New Orleans. A remake of Abel Ferrara‘s 1992 now cult classic, Herzog (www.wernerherzog.com) will follow the plot about a corrupt policeman investigating the rape of a nun. Kilmer is play partner to Cage’s crooked cop and Xzibit as a villain. Filming starts late summer. But wouldn’t it have been an interesting twist to cast Xzibit as the good cop and Kilmer as the criminal in this Millennium Films production? Just a thought

ROCKIN’ THE MIC...After portraying a spelling whiz in Akeelah & The Bee, young actress Keke Palmer will show of her rhyme skills in the indie film Vapors, directed by newbie filmmaker Furqaan Clovern. In the Hip-Hop flick about New York’s legendary The Juice Crew, she’ll play female rap veteran–and now PhD holder–Roxanne Shante. The long-awaited film also stars Evan Ross, rapper Nas. It’s about time for film that celebrates Hip Hop culture. Twenty-five years have passed since Wild Style hit the theaters.

JEEZY GETS PUT ON…It seems these days sooner rather than later, rap stars become “raptors.” Now count Def Jam recording artist Young Jeezy among that clique. Insiders tell us he will make his feature film debut in Ice Cube‘s latest comedy Janky Promoters. According to HipHopdx.com, Janky Promoters will be Cube’s first film under his new partnership with Dimension Films and Bob Weinstein. Under the deal, Cube will take home a larger percentage of back-end profits once the film recoups its $10-million budget. Shooting starts this summer on the 2009 release. In the Marcus Raboy (Friday After Next)-directed flick, about two shady concert promoters (Cube and Mike Epps) in over their heads, Jeezy plays the hip-hop artist at the center of the mess. Not a big stretch for Jeezy, but if his film career takes off like his music, Cube better make way.

FEATURE

OBAMA’S HOLLYWOOD AGENDA: WHO WINS, WHO LOSES

There’s no doubt whoever gets into the Oval Office next year, changes will be made–not only in Washington, but in Hollywood as well. So The A-List decided to take a look at where Sen. Barack Obama stands on various entertainment industry issues. Let’s go down the list.

CENSORSHIP: While he consistently expresses concern about certain images and content in film, on TV and in songs, he feels the control should be within the home not in the government’s hands. “You know, the primary responsibility is for parents. And I reject the notion of censorship as an approach to dealing with this problem,” Obama said during a Los Angeles debate with then party nomination rival Sen. Hillary Clinton. But he added he felt parents need the proper tools (aka technology) to help them self-censor. “I do think that it is important for us to make sure that we are giving parents the tools that they need in order to monitor what their children are watching. And, obviously, the problem we have now is not just what’s coming over the airwaves, but what’s coming over the Internet.”

To the industry he said: “The one other thing I will say is — I don’t mean to be insulting here — but I do think that it is important for those in the industry to show some thought about who they are marketing some of these programs that are being produced to.”

“I think Obama has it right on censorship. Consistent with his position on other social issues he seems to be much more in favor of putting a greater responsibility on parents and communities to police what their children are watching. It’s never been Hollywood’s responsibility to raise our kids and as program content becomes more and more violent and sexually explicit, it is imperative that parents take a greater role in what their children watch and listen to,” notes Jam Donaldson, whose controversial website Hotghettomess.com inspired a BET show of the same name which came under fire from parents and censorship groups. “I also agree that the government should be active in making sure parents and other consumers are given the tools to censor what comes into their homes.”

MEDIA OWNERSHIP & THE FAIRNESS DOCTRINE: “Sen. Obama does not support reimposing the Fairness Doctrine on broadcasters,” Obama press secretary Michael Ortiz told Broadcast and Cable Magazine earlier this year. The Fairness Doctrine required broadcasters to air both sides of controversial issues. The FCC found the doctrine unconstitutional back in 1987, and President Reagan vetoed an attempt by congressional Democrats to reinstate it. “He considers this debate to be a distraction from the conversation we should be having about opening up the airwaves and modern communications to as many diverse viewpoints as possible. According to Ortiz, Obama supports media-ownership caps, network neutrality, public broadcasting, as well as increasing minority ownership of broadcasting and print outlets. “I strongly favor diversity of ownership of outlets and protection against the excessive concentration of power in the hands of any one corporation, interest or small group. I strongly believe that all citizens should be able to receive information from the broadest range of sources,” Obama said himself to Broadcast & Cable magazine.

ANTI-TRUST ENFORCEMENT: Sen. Obama told Broadcast and Cable Magazine, “There is a clear need in this country for the reinvigoration of antitrust enforcement. Our competition agencies, the Department of Justice and the FTC [Federal Trade Commission], need to step up review of merger activity and take effective action to stop or restructure those mergers that are likely to harm consumer welfare, while quickly clearing those that do not. Specifically, for media mergers, the Department of Justice and the FTC should closely scrutinize all mergers for their implications for competition and consumer choice. “

“The FCC’s loosening restrictions on media ownership in the 90’s was a great disservice and allowed a few companies to control the majority of what we saw and heard,” notes Donaldson. “More regulations in this regard will allow for smaller broadcast outlets owned by diverse companies to get a place on the world’s stage. America has always been about the marketplace of ideas, but recently it’s been just a small kiosk. Hopefully, Obama will see that more players get a place at the broadcast table which is great for everyone… And I hope minority broadcasters will be large part of the future.”

NET NEUTRALITY: “The neutral nature of the Internet makes that possible, and it is something we should defend. Up to now, legislation has focused on protecting against the discrimination against or in favor of any single voice or legal service. All have made allowances for objective, nondiscriminatory network-management practices,” says Obama to B&C magazine.

When examining Obama’s stance on the various issues facing the entertainment community, it appears the result would be more freedom of expression, increased minority ownership, and an Internet that remains neutral. Unless of course he flip flops.

QUOTE OF THE WEEK

EVA MENDES TO INTERVIEW MAGAZINE: People ask me if it’s difficult being Cuban-American in this industry. I say, “You know what? Not as difficult as it is being an Asian girl.”

Issue #110

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CHANNELING M …Alfre Woodard is coming back to TV. Let’s hope the folks over at Christian Slater’s new NBC series “My Own Worst Enemy” know how to capitalize on Woodard’s acting skills more than Marc Cherry, creator of “Desperate Housewives,” all be it her stint was Emmy nominated. “My Worst Enemy” has been described as a Jekyll-and-Hyde-themed drama series. In Slater is a suburban dad named Henry, whose alter ego, Edward, is an international spy. Woodard is his hard-as-nails boss at Janus HQ. Here’s the twist: She too has an alter ego. Now that sounds like something you’d have to watch to really “get,” huh?

HEARD IT THROUGH THE GRAPEVINE …Seems like we’ve been hearing about this bio pic about soul singing legend Marvin Gaye forever. Well, all the talk last week was that there’s finally a director attached–F. Gary Grey (Set It Off, The Italian Job). And C. Gaby Mitchell (Blood Diamond) is penning the script. Still no studio however. And word is they are shopping around for financiers still. Meanwhile, The Sopranos’ James Gandolfini is moving ahead with his own 2010 Gaye movie, Sexual Healing, which he is producing and will only focus on the latter years of Gaye’s life. This all sounds like the similar situation with the upcoming pair of Bob Marley movies that will also find themselves battling it out at the box office.

MTV VOTES…More proof on how important the youth vote is in this presidential election. Since launching in 1981, MTV has always declined political advertising–until now. The Viacom MTV Networks channel has announced it will now take political ads but only from political candidates and party political committees, not from third parties. Reports are that Sen. Barack Obama’s campaign is already in talks with the network for an MTV buy.

LIFE IMITATING ART?….While the U.S. Government is calling for Wesley Snipes to surrender himself even though he’s on bail pending appeal of his recent tax evasion conviction, Sony is set to send his sequel, The Art of War II: Betrayal straight-to-DVD this August. First time around, Snipes’ portrayal of Agent Neil Shaw raked in $40MM worldwide at the box office. In Betrayal Shaw once again gets embroiled in Washington intrigue as he uncovers a plot to assassinate a slew of senators. But from where we sit, Snipes’ own federal saga would be ripe for the Big Screen–too bad the Art of War sequel isn’t.

NEW ROUTE FOR SOUL TRAIN…For more than a moment “Soul Train” was like NYC’s subway to nowhere. Seemingly stuck in tradition, founder Don Cornelius didn’t seem anxious to take that leap forward, even when in 2000 The A-List founder–and head of Punch Media Group—Lauren Coleman suggested that digital expansion of the brand would yield financial fruit and brand extension. Well, maybe in large part thanks to the visionary Coleman, now it seems Mr. C has finally caught up with the times…and seems he has handed his conductor’s camp to others. Just last week, he sold “Soul Train,” which was launched in 1970, to production company MadVision Entertainment. MadVision was founded in 2006 by the trio behind Showtime’s stand-up comedy series “White Boyz in the Hood”–Kenard Gibbs, is the group publisher of Ebony and Jet magazines; Anthony Maddox, worked as a producer at NBC and ran Bad Boy Films; Peter Griffith founded a hip-hop Web portal and helped Vibe to extend its brand. MadVision plans a relaunch of the “Soul Train” and a release of vintage episodes on DVD.

MADISON AVENUE MEETS CYBERSPACE…TV, radio and print pubs better act fast–at least in Britain. The Internet is luring away your ad dollars. According to UK marketing research firm Enders Analysis, The Internet will make a major dent in television advertising in Britain this year, with over 19 percent of total ad spend. Meanwhile in the States, according to eMarketer, Internet ad buys will reach $42 billion in 2011. During that time period, Web advertising’s share of the overall ad market in the U.S will also roughly double from 7.4 percent to 13.3 percent–so not quite the same take over just yet. What will be the most interesting number for The A-List is just how many of those dollars appear on multicultural destinations. That has yet to be revealed.

PARAMOUNT PROPS…Paramount Pictures just reached two 2008 milestones. Last week, the Viacom-owned studio’s international box office has now passed the $1 billion mark–six weeks faster than in 2007- with the help from such films as Iron Man and the latest Indiana Jones adventure. This week, the U.S. domestic and Canadian box office for Paramount also passed the $1 billion point. Given that urban moviegoers obviously contributed to the studio’s bottom line, what would be interesting to see is how the pie was sliced between vendors and marketing and PRcompanies of color.

HIP HOP HOLLYWOOD

DIGITAL MOVES…Hip-Hop artist/producer T-Pain, who holds the record for the largest number of ringtones sold at 15 million, has launched a new independent digital record label. Nappy Boy Digital (www.nappyboyonline.com) will deliver music via all major digital download retailers. The first release will be “Beam Me Up” by Tay Dizm.Hip Hop is once again leading the technology pack.

NEWS

DELL DEBUTS NOTEBOOK FOR THE HIGH-DEF MOBILE LIEFSTYLE

Dell Computers has just released a new line of notebooks aimed at multimedia creators called The Studio. The offers features especially designed for high-end multimedia users, such as an optional blu-ray drive and a high-resolution 17-inch screen. The new notebooks feature sport Intel Core 2 Duo processors up to 2.5ghz and offer the option of up to 3GB of memory and a 256MB ATI Radeon graphics card. According to Dell, they are targeting users who lead “high-def mobile lifestyles.

EXECUTIVE MOVES

HOLLYWOOD PR VETERAN ROSALINE “ROZ” STEVENSON CLOSES SHOP

After more than 20 years as a studio publicist for Universal, MGM and proprietor of her own firm RSPR, film publicist Rosalind “Roz” Stevenson has at long last made her final pitch. Roz has closed up shop in favor of more tranquil pursuits. Stevenson initially worked in TV production for Norman Lear’s “Good Times,” later going to work at MGM in 1980 in the Publicity Dept. “I never considered the field of publicity, but it was love on first sight,” says Stevenson, who went on to create one of the go-to PR agencies in Hollywood. Looking back, Stevenson says there are standout moments. “Implementing and carrying out the campaign for the film Ray was a career highlight,” she says. “Another was creating great professional relationships at with studios executive and members of the press, both mainstream and African-American.”

While Stevenson has announced the close of RSPR, don’t call it retirement. “I am not retiring; I am transitioning into doing other ventures,:” says Stevenson. “My husband and I have been married 31 years, spending very little time together because of the demands of the industry. Now we want to spend time together, with our children and grandchildren, travel and enjoy life.”

Never shy of passing on information about her craft to others, The A-List got her to impart a few PR tips to up-and-coming filmmakers.

What are the three most important things filmmakers should know about working with a studio publicist? Do what he or she can do to create awareness and box office for the film; (2) Define your target audience and how to best reach them; 3) What he or she cannot do to sell your film. What it costs to market a film properly.

How can black actors, producers and directors form effective alliances with studio publicists? Start at the top by meeting with the head of marketing, who will introduce you to his team. Ask everyone you meet how they can help you. –Gil Robertson

FEATURE

LORI PETTY ANTES UP:

ACTRESS TALKS FILMMAKING & DIVERSITY

The LA Film Fest is in full swing and one of many anticipated films is actress Lori Petty’s directing debut The Poker House. Written (with David Alan Grier) by Petty, The Poker Houseis an autobiographical film set in a poor rural Iowa town in 1976, and it covers troubling aspects of her life as well as her triumphs.Petty played by newcomer Jennifer Lawrence. Sophia Bairley and Chloe Grace Moretz play Petty’s two sisters; and their drug-addicted, abused mother (s portrayed by Selma Blair. Also starring co-screenwriter David Alan Grier, Bokeem Woodbine, Tyla Abercrumbie, and Clarke Peters.

We understand you were very conscious about having people of color involved in your project. Was this how you approached casting and staffing your movie? “As much as I could. I tried…I was very conscious of this and purposefully saying ‘every department needs to be mixed. We need women, we need Black people, we need Hispanics, go out of your way to find that. Don’t just call your friends.’ Because people like to think we’re all integrated (in the business) and its just not like that. People call their friends. That’s why when White people go crazy about Affirmative Action, I’m like you don’t get it. The reason why there is Affirmative Action is because you call your friends’ kids to work in the store, and your friends are all White. So yea, I was very conscious of making sure there was a diverse cast and crew.”

This is a movie that took place in Iowa back in 1976. Was the town depicted in the movie that as racially diverse as in the movie?“Yea. Iowa and Illinois have a lot, has had a lot of Black and Spanish [people] living there. And when you’re poor…you really don’t have time to be racist…If you noticed like all the states that went to Obama are poor states…It’s those middle states like Indiana that go White candidates because they have just enough money to be, you know, F—– up. When we filmed League of Their Own in Indiana, F—— Klan was there, with a can asking for money. This was in 1992. Crew would quit because we had a Black PA.”

What was the budget for The Poker House? “Around a million. My next movie I want at least $8 or 10 million. And I don’t want to have to live like I did while filming The Poker House. It was rough. It was freezing cold, we were staying at not so very nice hotels, and I’m a vegan so doing The Poker House, I lived on vitamins, peanut butter and Guinness. “

What were valuable lessons you learned as a director, as an artist, as a woman? “I learned that men can’t hear you when you talk…They respected me but I would be talking to them and they would just walk away. I would have to say to them ‘come here.’ They would come back and say ‘yea’, and I would be like ‘I’m still talking to you’, and they would be like, ‘oh, sorry.’ “

Do you think sexism was involved? “No. It’s just programming…During a basketball game scene, I had a microphone but I ran into the same problem, the guys weren’t listening…I’m not being sexist but, give a guy a basketball, a car, a gun, you might as well forget it, he’s not going to listen to you.”

Where do you feel Hollywood is in terms of women and people of color holding positions of power? “As you know, no one gave women the right to vote, no one gave slaves freedom, no one is going to give you anything, you have to take it…You can have all the Black screenwriter associations and women at lunch things, but at the end of the day you just have to have a great script and then color goes away and sex goes away as long as you can make some money.”

Where are you now with your new project? ” I’m about halfway done with the writing. I need some development money so I can continue to write. Savion Glover is attached.” —Anthony Davis

FILM FESTIVAL LOGS

HOLLYWOOD BLACK FILM FESTIVAL

The Hollywood Black Film Festival (HBFF) rolled through town for six days, loaded with films, stars and filmmakers in the making. While The A-List found things a bit disorganized, there were a highlights. One was the Pitchathon held at the Clarity Theater. Aspiring writers eager to land a deal, shared their ideas to a panel of industry insiders such as Omar Shamout, Director of Development for HQ Pictures and Ava Hall Madison of BET. We also got a chance to peep the much hyped Sticky Fingza movie Day In The Life. Despite a few snags, overall, the HBFF was a good opportunity for aspiring movie makers to make their mark on the industry. –AD

LOS ANGELES FILM FESTIVAL

The A-List was excited to be a part of the 14th Annual Los Angeles Film Festival held in Westwood. This year promised to be the biggest yet for the festival, and it had a plethora of eclectic films from visual artist around the world. There was so much to do, The A-List almost got overwhelmed. But we managed to hit a number of feature films and shorts.

There was a lot to offer any aspiring filmmaker or anyone who likes movies. Alongside the many films showcased From the usual opening and closing night films such as Angelina Jolie‘s Wanted to Ron Perlman‘s Hellboy II, there was the music video showcase; Coffee Talks with Directors, actors, Composers and Screenwriters; the very successful and inspiring High School Program that displayed shorts from teens; and a Diversity Expo, to name a few. There was even the Festival After Dark, where the Target Red Room showcased DJs from 9pm to 1pm and was the place to unwind and let your hair down. There was also the honoring of Melvin Van Peebles as a living legend, and conversations with Hip Hop artist-tuned-actor Common.

No word yet if anyone inked a big deal, but the with quality of this year’s films, it’s a sure bet a few of them have. At the printing of of this story, the audience winners and the winner of the Target $50,000 filmmaker awards have yet to be announced. Here is our rundown on what we thought were the best, so-so, the worst.

What We Loved
Feature Films:
Prince of Broadway: Made for little more than $40,000, this flick totally captures not only the essence of one of New York City’s neighborhoods, but the ethnic groups it follows and looks good too boot. Newcomer Prince Adu is a natural in front of the camera, as well as three-year-old Aiden Noesi who is absolutely adorable, but the story telling is exceptional. Keep an eye out for writer and director Sean Baker and his next film, Take Out, which also features New York.
The Poker House: A wonderful coming-of-age-through-traumatic-circumstances film by first time director Lori Petty.
Shorts:
Magic Paris: French writer and director Alice Winocour‘s short of a woman who goes alone to Paris and meets a strange man (angel?) and ends up going home with a new friend, his dog.
KJFG No. 5: Hungarian Director and writer Alexei Alexeev offers the funniest, cutest animation seen yet. This is a true winner!
Terminus: Scary, surreal, an existentialist short of a man who can’t seem to get rid of a bunch of round concrete blocks which has attached themselves to him like a shadow.
City of Cranes: If you’ve never looked up to the sky before, you will after seeing this short about what men in cranes do and see everyday.

What We Liked
Feature Films:
Exodus (Ceot Oi Kap Gei): Spoken in Cantonese with English subtitles, writer/director Pang Ho-Cheung explores a world where men are dying mysteriously and a female hit club is to blame. Dark, funny, engaging and sometimes predictable.

Shorts:
La Saint Festin: Wacky animation from France about a troll who eats children. Although no children were harmed during the movie, it certainly puts you on edge and makes you laugh.
Run: Out of New Zealand, this short tells the story of a Samoan boy and his sister standing up to their overbearing father.
The Livelong Day: Trains, trains and more trains! Train enthusiast show us that even railroad tracks can be an obsession.
How to Save a Fish: Short on life in rural North Western North Dakota and the desolation they face.
Magnetic Movie: Short on the invisible life of magnetic fields. It was like being in 7th grade science class all over again!
Self-Portrait With Cows Going Home and Other Works — A Portrait of Sylvia Plachy: Film portrait of photographer Sylvia Plachy and her philosophy on photographs and being an artist.

What We Could of Done Without
Shorts:
I Have Seen The Future: Creepy throwback to animation at the beginning of the 80s. Like, gee dude, like, that’s so lame!
The Apology Line: Ok, listening to folks confess (or make up) foul things in their lives with random images. Hasn’t this already been done?
At The End of the Street: Don’t get it twisted, we love foreign films, but this one was depressing and aimless.
Little Minx Exquisite Corpse: Rope A Dope: It was like watching a Basement Jaxx music Video, or even worse, someone trying to imitate the Basement Jaxx, badly! –Anthony Davis

EVENT COVERAGE

TOYOTA CAMPAIGN LAUNCH PARTY & ESSENCE FASHION SHOW, NYC

The A-List arrived at Eyebeam fashionably on-time! We approached the PR people after our names were not spotted on the guest list (ugh). Luckily, they knew who we were, and things rolled smoothly! We entered inside, and dazzled around the red carpet for a minute. Flashing pics of not only our glamorous selves, but of celebrates such as R&B singer Mashonda, Eric Benet, America’s Next Top Model contestant Bianca Golden. After a few flashes, we made our way into the party! The setting, of course, went well with the host of the evening–Essence Magazine. The venue was chic and sexy with pinkish/purple lighting, and the fashion runway and bar setup accordingly. But before the fashions by designer Alexis Phifer of GHITA, Keyshia Cole performed–and it was the highlight of the night, which was organized to introduced Toyota’s new marketing campaign called “If Looks Could Kill.” The campaign is aimed at attracting African-American female car buyer. –L e e S a B*

SPOTTED

All of the members of New Edition–including singer-turned-reality-show star Bobby Brown–pickin’ up the Golden Note Award at the 21^stAnnual ASCAP Rhythm and Soul Music Awardsat the Beverly Hilton Hotel in Los Angeles.

Recording artist and judge on the TV show “Randy Jackson Presents America’s Best Dance Crew” Lil Mama (nominated for Best Female Hip Hop Artist) tunin’ into jams on the new COBY MP4 Player at the COBY Electronics backstage area at the BET Awards.

The A-List is: Lauren Coleman, founder/co-publisher…Ann Brown, co-publisher…Melissa Ross, European correspondent…LeAnne Lindsay, contributor…Anthony Davis, contributor…Gil Robertson, contributor…Dan Williams, contributor…LeesaB, contributor…Clemetine Clarke, columnist

Issue #109

DVD – RELEASE DATE: JUNE 24, 2008 – DON’T MISS IT

To join The A-List,
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OVERSEEN & OVERHEARD

THE FUTURE IS NOW…A new indie film by African-American director Kevin Willmott (CSA: Confederate States of America) called Bunker Hill (www.bunkerhillthefilm.com) hasn’t even been released yet, but it’s already sparking political debate. In fact, the American Civil Liberties Union (ACLU) in DC just hosted a special screening of the film followed by a discussion on civil liberties. In the flick, a corrupt Wall Street executive (James McDaniel) leaves prison and heads for the small town of Bunker Hill, Kansas. Soon after he arrives, an apparent massive terrorist attack against America occurs. Cut off from the world, the town’s fear leads to the creation of a posse of gunmen, resulting in torture, illegal searches and murder. Bunker Hill also stars Saeed Jaffrey (Gandhi, My Beautiful Launderette), Laura Kirk, Kevin Geer (American Gangster), Blake Robbins, Scott Allegrucci. Willmott directed Bunker Hill from a script he wrote with Greg Hurd. Willmott also produced the film, along with Matt Cullen, Hurd and Scott Richardson. According to Richardson of Ninth Street Studios, they are currently shopping for a distribution deal for Bunker Hill. But with media-grabbing organizations such as the ACLU jumping to host screenings, the film will surely be on the fast-track to a box-office near you.

THE SKINNY ON SKIN…Talk about promotion. As a way to push product, the folks at Vaseline have created a documentary film about skin. Produced by Vaseline Cocoa Butter, Vaseline Skin Stories is narrated by actress Sanaa Lathan and will premiere at the Essence Music Festival on July 4th. The 20-minute doc includes personal narratives from across the world including the United States, South America, the UK and Africa. Among the celebs who share their skin stories are “Law and Order” alum Jesse L. Martin; actress/singer Raven-Symone; Dreamgirls’ Anika Noni Rose; “Access Hollywood” correspondent Shaun Robinson; and actress Jill Marie Jones. Vaseline is really catering to the Black female consumer with this branded content. Anything can be entertaining given the right angle and hue, even lotion!

FAIR MEDIA?…If Senators Obama and McCain have their way there will be no more debates like the controversial ABC Democratic Debate that featured Obama and Sen. Clinton. Neither of the two remaining presidential candidates want to have debates where just one network controls the event. In a statement, Obama spokesman Bill Burton said, “Both campaigns indicate that any additional appearances will be open to all networks for broadcast on TV or Internet like the presidential commission debates, rather than sponsored by a single network or news organization.” This, The A-List thinks is a more fair approach for all media.

WRONG TURN…File this under “great idea, wrong execution.” Toyota just announced a new digital campaign to sell its Camry brand to Black women. Toyota’s “If Looks Could Kill” (www.iflookscouldkill.com) campaign combines digital and real-world gaming components centered around a new Web site developed by mega Black ad agency Burrell Communications Group, Toyota’s Black marketing communications AOR, and agency partner 42 Entertainment. The site includes a series of videos that feature a crafty fashion designer and Camry driver involved in an espionage plot. Noble attempt but lacks the star power and edginess of BMW’s campaign featuring film shorts years ago. We’d suggest also an expansion of media partners for the Camry campaign.

AT A COMPUTER NEAR YOU…First former GOP congressman JC Watts recently announced his plans to create in 2009 the first Black cable news network, Black Television News Channel, via a a multi-year agreement with Comcast Corp. Now Hollywood insider Jeff Clanagan, CEO of Codeblack Entertainment, tells The A-List he will debut a broadband network called Black Broadcasting Network. It’s set to launch in in July. “The venture is being backed by private quity (some wealthy famous people),” explains Clanagan of the fully Black-owned BBN (thebbnonline.com). Instead of going the easy route by using syndicated shows, BBN will feature original programming. “At this point, all of the programming is original and that is what separates us from any other Urban destination,” the CEO explains. According to Clanagan, BBN is being positioned as “The Black HBO.” He says, “The content will consist of original movies and documentaries and stand-up comedy specials…Our ability to provide original programming is what really excites the advertisers. There is not another destination on the Web that offers the unique content that we are providing.” As Internet TV comes of age, BBN should be right on the rising cyber wave.

GLOBAL GAP…Loving that CNN has finally added a global perspective on the network on Sunday morning. The verdict may still be out since there have only been two airings to date, but The A-List would highly recommend “Fareed Zakaria: GPS.” But if we see one more roundtable in which Africa is discussed without the inclusion of an expert who is actually from Africa, we may just scream. How can one truly have international discussions without the voice of those actually present to add that crucial viewpoint? Fareed, cool so far but but push just a bit harder to truly be inclusive.

THE GATHERING OF MIDDLE-AGED MEN…It’s been a long time coming, but Andre Braugher is returning to episodic television. It was just announced he will join the cast of Ray Romano‘s TNT pilot, which explores male friendship through the eyes of three college buddies who are now in their 40s. Instead of another comedy to follow “Everybody Loves Raymond,” this series is actually a drama for Romano. For “Men of a Certain Age” Braugher plays Owen, a stressed-out husband and father who works as a car salesman at his dad’s dealership. Kudos to Romano for continuing to present multicultural casting on his TV projects.

GAME PLAN…Universal Pictures is trying to get the early word out about upcoming sports drama–The Express. They just debuted the trailer on AOL Movies! to begin promoting a film that will not even be released until Oct. 2008. Based on the true story of college football hero Ernie Davis, the first African-American to win the Heisman Trophy, The Express is directed by veteran TV director Gary Fleder and stars Dennis Quaid, Rob Brown, Omar Benson Miller, Clancy Brown and Charles S. Dutton. Though we question Quad’s getting top billing, great for Universal on the early plugs. Let’s see if the studio creates an Internet campaign that enlists the various Black sites and, of course, blogs.

BEND IT LIKE PELE…There is a first time for everything and Brazilian football hero Pele, considered the greatest player of all time, he, himself, finally gave the okay for a documentary based on his life. While there is no word on what network it will air, the doc will offer an unprecedented look at his career. The project is being developed by FremantleMedia (“American Idol,” “The X Factor”), which signed a deal with Pele’s licensing agency, Prime Licensing. Still in early development stages, the documentary will focus on a specific time in Pele’s soccer career. The William Morris Agency will be brokering any network deal. The director has not yet been named. But since this will be the first Pele-approved doc, we’re sure even Beckham will be glued to his TV screen.

WALK LIKE A PANTHER …Our Bill Vaughan, editor of entertainment ezine Tasty Clips tells us that Steven Spielberg and Will Smith recently had a pow wow about Chicago 7, a film which focuses on the infamous anti-Vietnam War activists who took over the 1968 Democratic Convention in Chicago. The director wants Smith to portray Black Panther Bobby Seale, who was put on trial on federal conspiracy charges for participating with the Chicago 7 at the anti-war riot. With it now being another war time period and Sen. Obama repping Chicago, it should be perfect for a flick like Chicago 7.

CALL HIM UPPITY…Here’s a fast tidbit. Sam Jackson has inked a two-year pact with CBS under which Jackson will develop and executive produce projects for the studio through his Uppity Films banner. Details are still sketchy, but the projects are slated to fall under the category of series, rather than films or specials. No word however on if Jackson, who will produce and possibly act, wants to go the dramatic or comedic route. Whichever he takes, it’ll have to be cutting-edge to survive today’s over abundance of reality fare.

LOST & FOUND…If you loved Harold Perrineau on “Lost” you’ll be happy to know he has reportedly been tapped for a new ABC series titled “The Unusuals.” Hmm. Sounds a little like those mysterious The Others from “Lost.” But this series has been described as a comedy/drama set at a New York police precinct and will revolve around super paranoid Detective Leo Banks (Perrineau), who is never without his bullet proof vest. Doesn’t sound like a winner, unless Perrineau can pull off a miracle worthy of “Lost.”

COLLECTIVE MINDS…Looking for a great Website covering African-American issues from entertainment to politics? Check out UrbanThoughtCollective.com. Founded by our fellow media diva Ava DuVernay of DVA Media + Marketing, it’s becoming a daily must-read on the Web.

FILMS AT YOUR FINGERTIPS…Here’s something interesting for all us film lovers. Tribeca Film Institute has launched a new initiative and website called REFRAME (www.reframecollection.org), which will make classic and hard-to-find films/content accessible and build a community hub for scholars, artists, teachers and film enthusiasts. Tribeca is working with filmmakers, archives, and distributors to digitize rare films and make them available for rent, purchase, and download. In its first year, Reframe plans to offer more than 10,000 titles, including classic public television films and videos, documentaries, independent features, shorts, foreign films and vanguard cinema. If Tribeca remains open to diversity, this should give multicultural films another much-needed distribution outlet.

POLITICAL READS…Hollywood continues to get political. America Ferrera (pictured), Adrian Grenier, Hayden Panettiere, Aisha Tyler and Wilmer Valderrama will all appear in the just-announced book from HarperCollins Publishers and the Declare Yourself movement called Declare Yourself: Speak. Connect. Vote. 50 Celebrated Americans Tell You Why, targeted at educating teens about the political process. Ferrera will do double duty as the project’s spokesperson and the book guest editor. Unfortunately, HarperCollins can expect moderate sales if they don’t enlist a new media marketing approach for their target demo. It’s sad, but many publishers seem to be behind the tech times–for them audio books are innovative.

HIP HOP HOLLYWOOD

THEY CALL HIM JAM MASTER… A new documentary on the life and death of legendary Run-DMC DJ Jam Master Jay is hitting the festival circuit. Produced by Jay’s cousin Stephon “Phonz” Watford and directed by Guy Logan, 2 Turntables and a Microphone chronicles Jay’s life and takes an interesting investigative approach to his unsolved murder on October 30, 2002. The doc features interviews with Rev. Run, Russell Simmons, 50 Cent, Mary J. Blige, LL Cool J, Ja Rule, Jay-Z. Image Entertainment‘s One Village Entertainment will distribute.

REALITY REELS…Remember back when The A-List told you about a Canadian rapper named Kama working on what just might be Toronto’s first Hip Hop feature (http://thealistmagzine.blogspot.com/2007_08_19_archive.html). Well, we have an update. He’s also working on a documentary about his struggles to make it. And it hasn’t been easy. As in the States, Kama tells us, Hip Hop is under attack in the land Up North. “My home studio was just raided on June 1st by the Toronto S.W.A.T.,” says Kama, from his home in TO’s Vaughn & Oakwood neighborhood. “There must have been at least 60 officers…There was nothing illegal to find, and left after about two hours.” But get this, Kama’s whose studio has a high-tech security camera system, got the whole raid on tape. “You can be sure this will be in the documentary, which will be released later this year,” says Kama, who tells us he’s constantly harassed by local police because of his Hip Hop career and his activist role in the community.

EASY BEING GREEN…It ain’t your mother’s Planet Green TV. The environmentally conscious network has kicked it up a few notches. The revamp includes a change in philosophy from the “tree-hugger” approach to “eco-tainment.” And guess who’s in the mix? “Raptor” Ludacris will star with Tommy Lee, beginning in August, in “Battleground Earth,” a series featuring competitions between the rocker and rapper to determine who’s the greenest. Even green is hipper with the inclusion of the Hip-Hop demo.

NEWS

GOOGLE EXEC: NO PROFIT FROM YOUTUBE
According to Newsfactor.com, during an event at Syracuse University’s Newhouse School Google CEO Eric Schmidt conceded that the search-engine giant doesn’t know how to make money off of YouTube, which Google purchased for $1.65 billion in 2006. He said while it “seemed obvious” that YouTube should generate “significant amounts of money” for Google, that has proven harder than expected. In any case, monetization is not Google’s primary concern with YouTube at this point, as YouTube could lead to “the creation of a whole new industry.” Yet Schmidt announced that 2008 is the year for YouTube to move into a profit center for Google. “We have a revenue plan, a usage plan, a scale plan, a bandwidth plan,” he said.

THE GREATEST SHOW ON EARTH

Hollywood’s power elite is accustomed to back-door dealing and throwing money at problems. But does this play in D.C.? You might think, Heck yeah! But this presidential election seems to be changing all the rules for the Old Boys network. Just look at some of the perceived bullying and power plays a few from Hollywood tried to pull off recently, oddly enough for not one of the Boys but for Sen. Clinton.

Most recently Bob Johnson tried a play or two and lost. Of all times, the founder of BET has decided this election year to venture outside of his highfalutin entertainment comfort zone and dabble in the murky waters of politics. And boy did he dabble! Earlier this year, Mr. Johnson came out in a major way in support of Hillary Clinton. First, he came out against Sen.Obama by going in Sen. Obama’s closet and dusting off that old story about his past drug usage. We all know that Sen. Obama eloquently shared the misgivings of his youthfulness in his book, so this was no secret.  However, it was the distastefulness of Mr. Johnson useage of Sen. Obama‘s past in an attempt to elevate his candidate, but that’s what pioneers do.

Now Mr. Johnson is at it again! When Hillary Clinton decided not to concede initially, Mr. Johnson (on his own accord) forwarded a forthright letter to the members of the Congressional Black Caucus strongly urging–some say demanding–them to support his candidate, Sen. Clinton as Sen. Obama’s VP running mate. He seemingly used his billionaire power to exploit, coerce or whatever you want to call it the sensitive nature of the Presidential campaign to force the first African American Democratic Party nominee to place his candidate (all be it the first female candidate to get that far) on the ticket.

But Bob Johnson is not the only one. Movie mogul and Clinton supporter Harvey Weinstein reportedly tried to strong-arm Speaker of the House Pelosi into putting forth a re-vote mandate in Michigan and Florida. If she didn’t, he “suggested” he’d bow out of future funding to democratic congressional candidates. There was also entertainment industry billionaire Haim Saban of Saban Entertainment (ABC Family Channel, Univision) who allegedly offered $1 million to superdelagates to vote for Clinton. Neither tactic worked.

As I’ve shared in past columns, politics and entertainment are almost one in the same regarding all of the big egos, drama, money and cast of characters. And my what big egos we are seeing at play! But in government, where it is supposedly one man one vote, Hollywood stature shouldn’t mean you have more of a say. You look bad and more importantly, so does your candidate. In Hollywood, the general public–aside from the rumor mill–isn’t privy to closed door deals. During an election year, DC is full of leaks. Word hits the media as soon as an offer is uttered. The voting public doesn’t like side dealing and the preception that Weinstein’s or Johnson’s input is more important than theirs.

Right now, Hollywood surrogates for Obama and McCain have refrained from meddling in policy making. But time will tell if notables such as Oprah or Russell Simmons or the like find themselves entangled in this crazy political web.

So get your popcorn, peanuts and oh yea cracker jacks because we are only at the seventh inning stretch! It’s a long time between now and November.

––Clemetine Clarke

Clemetine Clarke, owner of the governmental affairs, political strategy, fundraising and community relations firm CMH & Associates, strives to help women of color get elected to political office. Clarke has also served as the Executive Director of the San Francisco Democratic Party.

MOVIE REVIEW

A Day In The Life (Major Independents/Lionsgate)

In a nutshell: Genius on many levels, but a bit reminiscent of the same story we’ve seen before. The setting, unfortunely, does not live up to the creative concept. Yet given the budget rap artist/actor Sticky Fingaz had to work with, it’s a solid attempt . He takes Hip Hop on a ride it has never before been, and it’s enthralling to say the least. Well acted, great direction. A masterpiece in the rough. Starring Mekhi Phifer, Fredro Starr, Omar Epps, Drena De Niro, Sticky Fingaz, Bokeem Woodbine, Ray J, Kurupt, Clarence Williams III, Treach, Michael Rapaport, Tyrin Turner, Michael K. Williams, Faizon Love and Malinda Williams. (www.myspace.com/adayinthelifemovie) –Anthony Davis

LIVE PERFORMANCE REVIEW

HOT 97 SUMMER JAM, Giants Stadium, NJ

Ok. Well for one. It was literally “Hot 97.” The temperature was sizzling–and so where the performances. There were three parts to the day: a festival, a preshow, and the mainstage show. And instead of just having a gang of acts singing songs the audience has heard way too many times, the NY radio station opened the festival up to new acts and unsigned artists–a refreshing addition to the event. And the talent, included everything from stepping to singing. There was even a rap battle where audience members could come up and freestlye. Shout out to DJ Envy behind the 1 and 2s–he was awesome. Following the festival was the preshow with Ray J and Youg Berg. Then, finally, it was time for the main show, which went like this:

*Alicia Keys with The Wu-Tang Clan: The performance was crazy. She hit the stage first and and performed her new hits (“No One,” “Teenage Love Affair,” “Never See Me Again”) then she brought out Wu-Tang who performed many oftheir classics (C.R.E.A.M., etc.). They had the crowd in a frenzy!

*One performance after another, including D Block, Ll Cool J (still hangin’ in there with the new school), T Pain, Vic (“Get Silly”), Shorty Lo with Fat Joe, and DJ Khaled featuring Rick Ross.

*But it was Lil Wayne who gave the performance of the night, even if it was way explicit. Did old songs, new songs. And his set was so high-energy, we were tired afterward.

*Public Enemy as always gave a very powerful and informative performance loaded with political messages and controversial comments.

*Kanye West: Probably the second best performance. As usual Kanye had to be the center of attention….and do things over the top. Even we have to admit his stage set-up was EXCELLENT!–from the lighting to the fireworks.

*Surprise guest:: Jim Jones and Dipset.. A pleasant surprise for the NY crowd!–Jaleesa Brown

Val Emmich at the Hotel Cafe, Los Angeles
The A-List was in the house to witness the one-time-only performance of New Jersey’s own Val Emmich at the Hotel Cafe in Los Angeles. The standing-room only crowd, which had very few faces of color, watched Val perform his alternative/indie/rock songs from his new upcoming CD Little Daggers. His soothing but direct stage presence captivated the audience. Val is not only a musician but also an actor and author, having just finished his first novel due out next year. Despite the lack of flavor in the crowd, the performance more than kept us enthralled. –Anthony Davis (photo credit: Anthony Davis)

SPOTTED

Mekhi Phiferi motorin’ around Hollywood in a monster truck (imagine what it costs to fill the tank). A few days later, Mekhi pumpin’ iron at a gym in the Valley.

Reality show diva Omarosa and actress Bai Ling partyin’ in full force.at the Tv pilot party for “The Hollywood Men” in Hollywood. The show? Think Chippendale’s meets “American Idol.” “The Hollywood Men” (http://www.youtube.com/watch?v=D8RqAbUmRRY) follows a group of male strippers in their pursuit of fame in the music, film, and TV industries. The show features a multi-ethnic cast of Black, Latino, and Caucasian dancers. (Photos: Wire Image)

QUOTE OF THE WEEK

“Lou Dobbs This Weekend” on June 7th featured a mini-roundtable about presidental nominees. Syndicated columnist Diane West (in regards to Sen. Obama nomination): “What happens next, this is a fascinating conference that could begin, does this spell the end of affirmative action policies based on race …Are we at the point now where we can start losing those policies? I think that Senator Obama’s candidacy is a big answer that says maybe we are.”

A-List Publishers’ note: According to Black Enterprise, there are only two African-Americans who are CEOs at major media outlets that are not Black-owned: Pamela Thomas-Graham at CNBC and Richard Parsons at TimeWarner.

According to the 206 study “Out of the Picture: Minority & Female TV Station Ownership in the United States,” Blacks or African Americans comprise 13 percent of the entire U.S. population but only
own a total of 18 television stations, or 1.3 percent of all television stations.

The A-List is: Lauren Coleman, founder/co-publisher…Ann Brown, co-publisher…Melissa Ross, European correspondent…LeAnne Lindsay, contributor…Anthony Davis, contributor…Gil Robertson, contributor…Dan Williams, contributor…Jaleesa Brown, contributor…Clemetine Clarke, columnist

Issue # 108

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OVERSEEN & OVERHEARD

HE GOT GAME…Spike Lee seems to be everywhere these days–in Cannes, creating cell phone flicks, urging Sen. Clinton to exit the presidential race, promoting his new movie (The Miracle at St. Anna). Well, add to that list the production of a documentary about baller Michael Jordan to his credits. Here’s the interesting part, the National Basketball Association will provide financing for the 40 Acres & A Mule Filmworks-produced project. The doc will air on ESPN. Kudos to the NBA and ESPN for reaching out to Lee. Collabs with newer Black filmmakers would make the deal even more innovative.

THE FALL OF O?…The media industry is buzzing about a ratings drop for “The Oprah Winfrey Show” and a circulation decrease for the mag, O. According to The New York Times, the average audience for her daytime show has fallen nearly 7% this year–its third straight year of decline. And, the circulation of O has fallen by more than 10% in the last three years. Some have speculated her endorsement of Senator Barack Obama is costing her White female fans, but since the figures show a steady decline over a three-year period, The A-List doubts this is the only reason. “Politics have always had an impact on programming during an election campaign…So there may be some recent correlation between Oprah’s endorsement of Obama and the decline in her ratings but that would not account for a three year trend,” notes Dame Dhyana Ziegler, Ph.D., Professor of Journalism, Florida A&M University. “The entire industry is experiencing some challenges in meeting the desires and taste of a multimedia consuming audience. There is a technological shift taking place in the industry and as more people turn to the Internet for information and programming, television ratings will continue to suffer.” So what’s O to do? “The name of the game is multimedia and interactivity,” declares Ziegler. “In order to keep her edge, Oprah has to adapt to the change in audience habits.” But according to Renee Prewitt, host of the public affairs talk show “On Point,” WDMK (www.KissDetroit.com), Detroit, Winfrey has build an unbeatable brand. “Her brand remains a powerfully strong asset…she [for example] signed up about one million people for her online book class, which is something that has never been done before and set the bar for everyone else,” notes Prewitt. For a great number of when Oprah says it, it’s gospel.” Yet, the decline may just be an indication of people finally wanting to think more for themselves than being spoon-fed and wanting to see different cover choices, show format and more. Variety is supposed to be, after all, the spice of life.

PRAISE TV…Speaking of the supposed Queen of Media, one of her “subjects” is making moves. Dr. Phil, whose TV show is produced by Harpo Productions, has announced he is developing a talk show for The Rev. T.D. Jakes through his own production company for CBS. Jakes is no stranger to Hollywood. His sermons air on Trinity Broadcasting and his film Woman, Thou Art Loosed! resonated with a select group of Black moviegoers. One thing is for sure with this venture, we will probably be able to count on a mega self-help fest with these two personalities involved.

EYE FOR TALENT…Remember when we told y’all to be on the lookout for a young actor named Tristan Wilds who was on the come up (see issue #47: thealistmagzine.blogspot.com/2006/12/47.htmll)? Following the end to “The Wire,” on which he was a regular, Wilds has landed on the new CW version of the 1990s show “Beverly Hills 90210.” Finally a brotha in BH, but we hope he gets a juicy storyline that would make even Dillon McKay (Luke Perry) jealous.

MATCH MADE IN HOLLYWOOD?…If you heard the news that P. Diddy and Eddie Murphy’s ex, film/TV producer Tracey Edmonds have hooked up, there may be more to the story. Insiders tell The A-List, there’s another reason the pair have been spotted out together: work. They are hatching a new TV show idea. When we hear more, we’ll be sure to let you know.

SISTAS IN CELLULOID…Attention African-American female filmmakers. Reel Sisters of the Diaspora Film Festival and Lecture Series is seeking films directed, written or produced by women of color. On Sept. 26-28, 2008, Reel Sisters will present “Hue Women & Cinema Blues: Exploring the Impact of Colorism in America.” Interested? Download your application at www.reelsisters.org or www.withoutabox.com. Filmmakers may submit any length or style of film in: shorts, narratives, documentaries, animation, works-in-progress. The submission deadline is June 6.

PEACHTREE RIPE FOR HOLLYWOOD….Hey filmmakers and producers, Georgia’s calling. Governor Sonny Perdue last week signed into law the 2008 Entertainment Industry Investment Act that will give increased tax incentives and other perks for any qualified production filming in the state. With folks like Tyler Perry and Rob Hardy and William Packer’s Rainforest Films making Georgia their base, the state is living up to its new moniker “Hollywood of the South.” Georgia’s not the only destination revamping its film tax breaks to lure in more productions of color, see “Philly Discusses Diversity” below.

HIP HOP HOLLYWOOD

ON THE SET…Move over Will Smith, Bow Wow says he’s ready to take your place as the top “raptor.” And he’s lining up the roles. Already cast in the sports drama Patriots, he just confirmed he has signed on to join the cast of “Entourage.” He has snagged a recurring role as a stand-up comedian managed by Eric (Kevin Connolly). This is just more evidence of the ability of rap artists to easily transition into film and TV–unlike that of folks in rock, pop, country or even R&B.

NEWS

FCC CONSIDERS FREE HIGH-SPEED INTERNET

Federal regulators may require the winner of airwaves being auctioned off by the government to provide free wireless high-speed Internet service across a large swath of the country. The vote will come up when the Federal Communications Commission meets June 12. A similar proposal, however, was rejected last year. If passed, the resulting network must reach 50 percent of the population four years after the winner gets a license and then 95 percent after 10 years and under the plan, the winning bidder would provide free high-speed service on a small portion of the spectrum that potentially could be available on millions of Americans’ phones and laptops. A move such as this could help close the digital divide in communities of color.

EVENT COVERAGE

PHILLY DISCUSSES FILM DIVERSITY

The Greater Philadelphia Film Office Diversity in Filmmaking Discussion, held May 20, brought a panel together that represented ethnicity currently working in the film industry, to encourage greater diversity on film sets. With tax incentives offered to the film industry, Philadelphia is ever becoming a movie town. Recent films such as Tenure feature Luke Wilson, Tina Fey’s Baby Mama and M. Night Shyamalan’s The Happening all having just filmed in the city. According to the Greater Philadelphia Film Office (GPFO) there are many more film productions on the way (including ones from Black Hollywood). But there’s a problem, not enough skilled crew to work the productions. In particular, it’s hard to find skilled crew on each set that reflects the diversity that is Philadelphia. This riled up the crowd attending the panel discussion, who complained that the problem was actually dealing with the Philadelphia Film Unions, which are notoriously non-diverse. A rep from the GPFO maintained however that if one obtains proper training or if they focus on making independent (aka non-union) films, union membership would not be an issue.

Of course, this didn’t satisfy the attendees. As one person responded: “No pay on Indy films.” In fact, Kathilyn Phillips of Kat Scratch Films (http://www.katscratchfilms.com) put out a call for paid positions, looking to hire film crew of all color and creed for her last film and only one African American contacted to interview. Needless to say, this was a lively discussion. The film industry in Philly is booming and those, especially of color, need to prepare now for the impending increase in demand for qualified crews. –Le Anne Lindsay

LIVE PERFORMANCE REVIEW

LES MISERABLES, Walnut Theatre, Philadelphia

Do you hear the people sing, singing the songs of angry men, it is the music of a people who will not be slaves again. When the beating of your heart echoes the beating of the drum, there is a life about to start when tomorrow comes.

These are the lyrics to “Do You Hear The People Sing” part of the score from Boublil and Schönberg’s Les Misérables, which opened May 21^st running through August 3 at Philadelphia’s Walnut Street Theatre, a fabulous conclusion to their 199^th season!

This is not a Broadway touring production; Walnut Street Theatre, under the adept direction of Mark Clements, has produced an all-new staging of this popular musical, based on Victor Hugo’s classic novel.

The production is complete with workable sets, a quality orchestra and a stage full of talented voices. Perhaps the cast could have been a bit more multicultural however, the role of Javier is played by a Benjamin Bratt look-alike Paul Schoeffler, whom the audience fell in love with. Speaking to one theatergoer Nancy Lindsay who had seen several productions of Les Mis, Walnut Street’s staging the most enjoyable so far!

For The A-List, as wonderful as the score is to Les Mis, the show is really held together by the lead role of Jean Valjean. The casting of Philadelphia native Hugh Panaro is a perfect fit. Panaro plays the range of ages with graceful subtleties and commands the stage reminiscent of Charlton Heston as Moses. (photo by Brett Thomas)—LL

QUOTE OF THE WEEK

BET CEO Debra Lee to Multichannel News: “But the fact that I’m the first African-American chair [of the National Cable & Telecommunications Association’s Cable Show] in this day and time is not a good testament to this industry.”

SPOTTED

“America’s Best Dance Crew’s” Shane Sparks and singer/actress Christina Milan hostin’ a dance competition and charity event for young girls at the Penny Lane Families Foster Family Agency in L.A.. Shane, who is also a choreographer on the hit FOX TV show “So You Think You Can Dance,” taught the girls a few moves. The event was part of The McGraw-Hill Companies’ Global Volunteer Day program, a global community outreach initiative now in its fifth year. (photo credit: Garpot Studio).

The A-List is: Lauren Coleman, founder/co-publisher…Ann Brown, co-publisher…Melissa Ross, European correspondent…LeAnne Lindsay, contributor…Anthony Davis, contributor…Gil Robertson, contributor…Dan Williams, contributor…Jaleesa Brown, contributor…Clemetine Clarke, columnist

About The A-List

The A-List is the premier digital trade covering film, television and new media from a multicultural perspective. Launched in blog form in 2006, The A-List takes an irreverent look at the industry’s inner workings while providing up-to-the-minute information on hot deals, exclusive interviews, and insightful commentary. Our exclusive subscriber base includes industry insiders, cultural tastemakers, Hollywood’s power brokers, studios, networks, and technology powerati. It is a content product of Punch Media Group (http://www.punchmediagroup.net/), a multifaceted media and technology company specializing in cutting-edge entertainment. Don’t be on the B-List looking in. Join The A-List today.

Lauren Coleman is founder and co-publisher of The A-List. She is the president and owner of Punch Media, the sole international hip hop multimedia communications company. With offices in Paris and L.A., the company focuses on digital and wireless production, acquisition and distribution. Partners/clients have included And 1, “Eminem Presents the Slim Shady Show”, Roc-a-wear and Microsoft Windows Mobile.

Ann Brown is co-publisher and editor-in-chief of The A-List. She has spent over a decade covering the urban Hollywood scene for such giants as Playboy, Essence, The Source, Yahoo! and Black Enterprise. Additional media credits include:producer/co-host “The Julie Brown Show” (nat’l radio syndication) and co-host of the former NYC TV show “The Trend On TV.”